
because of what betweena piece developed from my reading on da vinci’s study of optics, the resultant effects in his work through this understanding, i.e. the haze of distance, things seen at a distance the day hazed as a da vinci visage a polish of brush, pigmented somewhat shadowed a smudged knuckling which errs the eye atmospheric un focus : such seeing, the science of having seen, been envisaged as a hazed da vinci keen eyes seeregarding cézanne’s style of painting, his rejection of amending, he simply added another stroke, a layer, the form would emerge in the eye. also, a concrete piece, taking the shape of one of his stilllife apples cézanne’s eager or rather incidental, eschewal of the erasure assured another layered nearly would follow, all so an estimation would emerge eventually accumulusthis piece, alluding to a…
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